This piece is informed and inspired by Kentucky poet, George Ella Lyon. Many know George Ella’s work from the “I Am From” poem template that many teachers use in the classroom and that we had written earlier in the year. Her poem, “Solitary,” is found within the “Writers Choose Perspective and Point of View” section of Amy Ludwig VanDerwater’s Poems are Teachers: How Studying Poetry Strengthens Writing in All Genres.
Here is George Ella Lyon’s poem which encourages writers to Stand Back With Third Person
“Solitary”
Sunk
as if
in a well
no one
remembers
the convict
whose eyes
have forgotten
sun
whose feet
have forgotten
earth
knows only
one light;
he did
not do
The reader will note a number of writerly moves within George Ella’s poem.
First, the poem is constructed of a single sentence. An approach here might be to have the student write a longer sentence and then break it into lines that suggest the continuance of thought down the structure until that final piece separated by the semicolon.
We also have a simile working in the piece early on.
The reader will note some minor anaphora that might not be noteworthy in a longer piece, but here it appears within a singular sentence which brings us to the next poetic feature: asyndeton.
The sentence is not possible without this technique that omits coordinating conjunctions to keep a stream of thinking happening.
Looking at the semicolon invites the reader to think about the two clauses that are being joined, on in a sort of contrast or a reveal to the other.
Here is our poem informed and inspired by George Ella Lyon’s piece (we even get to coin a phrase for our title):
“Solosounding”
Singular
as though
in a vacuum
no one notes
the stick’s
broken end
forgetting
the tree
the paper’s
flattened pulp
forgetting
the wood
knows only
this movement;
it’s an etching
scratching
now.
I love your “unpacking” of the mentor poems almost as much as your poems!
I wondered how you were going to work James Castle into your poem, but you did…perfectly!